- Training does not teach how to act, how to be clever, does not prepare one for creation. Training is a process of self-definition, a process of self-discipline which manifests itself indissolubly through physical reactions.
- Training puts one's own intentions to the test, how far one is prepared to pay with one's own person for all that one believes and declares. It is the possibility of bridging the gap between intention and realization.
It is my learning process
Saturday, 11 October 2008
Ch. 6 Words or Presence (Eugenio Barba, 1979) [P.42-48]
P.42
Subscribe to:
Post Comments (Atom)
Labels
- Archive: Autobiography
- Archive: body and space on stage
- Archive: Chance
- Archive: Curatorial practice
- Archive: Devising Theatre
- Archive: Embodiment
- Archive: improvisation
- Archive: Interculturalism
- Archive: Media Art
- Archive: Mirror
- Archive: Performance
- Archive: Site-specific
- Archive: Space
- Archive: Theatre
- Archive: Theory
- Archive: Translation
- Book = Acting (Re) Considered (2002)
- Book = Actors and Onlookers (1990)
- Book = Art Technology Consciousness (2000)
- Book = Autobiography and Performance (2008)
- Book = By means of performance (1990)
- Book = Certain Fragments: Contemporary Performance and Forced Entertainment (1999)
- Book = Devising Performance (2006)
- Book = Devising Theatre (1994)
- Book = Environmental Theatre (1994)
- Book = Issues in Curating Contemporary Art and Performance (2007)
- Book = Jacques Lecoq (2003)
- Book = Jeff Koons (2001)
- Book = Mastering Movement: Life and work of Rudolf Laban (2001)
- Book = New Media in the White Cube and Beyond: Curatorial Models for Digital Art (2008)
- Book = Perform (2005)
- Book = Performance Management (2006)
- Book = Performance Studies: An introduction 2nd edition (2006)
- Book = Re:direction (2002)
- Book = Rudolf Laban: An Introduction to His Work and Influence (1990)
- Book = Space in Performance: making meaning in the theatre (1999)
- Book = Street Theatre and Other Outdoor Performance (1992)
- Book = The 20th Century Performance Reader (2002)
- Book = The Archive and the Repertoire (2003)
- Book = The Body: Classic and Contemporary Readings (1999)
- Book = The Embodied Mind (1993)
- Book = The Empty Space (1968)
- Book = The Grotowski Sourcebook (1997)
- Book = The Intercultural Performance Reader (1996)
- Book = The Mastery of Movement (1980)
- Book = The Moving body (2000)
- Book = The Semiotics of the Theatre (1992)
- Book = The Show and the Gaze of Theatre (1997)
- Book = Theatre at the Crossroads of Culture (1992)
- Book = Theatre Intercontinenetal (1993)
- Book = Theatre of Movement and Gesture (2006)
- Book = Theatricality (2003)
- Book = Touching Feeling: Affect Pedagofy Performativity (2003)
- Book = Towards a Poor Theatre (1968)
- Book = Trans-global readings (2003)
- Book = Volatile Bodies (1994)
- Book = Women's Intercultural Performance (2000)
- Book = 西方戲劇的香港演繹(2007)
- DVD = Laban dance works (1992)
- DVD = Space Improvisation and Creativity (2005)
- Journal = Blurring the Edges - comments on site specific work (2003)
- Journal = Formulary for a New Urbanism (1953)
- Journal = Mapping the Terrain (2002)
- Journal = Preliminary Problems in Constructing a Situation (1958)
- Journal = Superfluous Landscapes (2002)
- Journal = Theatre History and the Ideology of the Aesthetic (1989)
- Journal = Theory of the Dérive (1958)
- Journal = Video Projection (2004)
No comments:
Post a Comment