- P.51 Brought up in the multicultural Austro-Hungarian Empire he had observed people from many backgrounds working at one occupation during the day, and then at night using very similar patterns of movement in their dancing and relaxation...It seemed that man needed both to link work with the rest of his life and to find some complement to it.
- P.52 The key towards understanding work, he realised, was to understand its rhythms and its efforts, and to harness (控制) these in such a way as to contribute to the overall balance and harmony of the individual rather than allow the occupation to destroy them. Work and play need correlating rhythms.
- P.53 By the time Laban came to England in 1938 he had already clarified his concept. It was based on the belief that 'a simple style of living' is 'one of the most important sources of human happiness'.
- P.54 Laban's approach was to take workers in groups away from the factory bench, through carefully planned movement sessions enable individuals to find their own rhythm and, by compensations, to adjust the whole balance of their personal way of functioning. Strong movements are compensated for by light, narrow-ranging by wide, limited movement of hands and arms by full bodily activity and so on.
- P.55 If all life is movement and all movement has its rhythm, then the fullest way to meet and derive the most from life is to see its different aspects as change and development in the overall rhythmic patterning.
It is my learning process
Tuesday, 13 January 2009
10 His concept of work (P.51 to 55)
Subscribe to:
Post Comments (Atom)
Labels
- Archive: Autobiography
- Archive: body and space on stage
- Archive: Chance
- Archive: Curatorial practice
- Archive: Devising Theatre
- Archive: Embodiment
- Archive: improvisation
- Archive: Interculturalism
- Archive: Media Art
- Archive: Mirror
- Archive: Performance
- Archive: Site-specific
- Archive: Space
- Archive: Theatre
- Archive: Theory
- Archive: Translation
- Book = Acting (Re) Considered (2002)
- Book = Actors and Onlookers (1990)
- Book = Art Technology Consciousness (2000)
- Book = Autobiography and Performance (2008)
- Book = By means of performance (1990)
- Book = Certain Fragments: Contemporary Performance and Forced Entertainment (1999)
- Book = Devising Performance (2006)
- Book = Devising Theatre (1994)
- Book = Environmental Theatre (1994)
- Book = Issues in Curating Contemporary Art and Performance (2007)
- Book = Jacques Lecoq (2003)
- Book = Jeff Koons (2001)
- Book = Mastering Movement: Life and work of Rudolf Laban (2001)
- Book = New Media in the White Cube and Beyond: Curatorial Models for Digital Art (2008)
- Book = Perform (2005)
- Book = Performance Management (2006)
- Book = Performance Studies: An introduction 2nd edition (2006)
- Book = Re:direction (2002)
- Book = Rudolf Laban: An Introduction to His Work and Influence (1990)
- Book = Space in Performance: making meaning in the theatre (1999)
- Book = Street Theatre and Other Outdoor Performance (1992)
- Book = The 20th Century Performance Reader (2002)
- Book = The Archive and the Repertoire (2003)
- Book = The Body: Classic and Contemporary Readings (1999)
- Book = The Embodied Mind (1993)
- Book = The Empty Space (1968)
- Book = The Grotowski Sourcebook (1997)
- Book = The Intercultural Performance Reader (1996)
- Book = The Mastery of Movement (1980)
- Book = The Moving body (2000)
- Book = The Semiotics of the Theatre (1992)
- Book = The Show and the Gaze of Theatre (1997)
- Book = Theatre at the Crossroads of Culture (1992)
- Book = Theatre Intercontinenetal (1993)
- Book = Theatre of Movement and Gesture (2006)
- Book = Theatricality (2003)
- Book = Touching Feeling: Affect Pedagofy Performativity (2003)
- Book = Towards a Poor Theatre (1968)
- Book = Trans-global readings (2003)
- Book = Volatile Bodies (1994)
- Book = Women's Intercultural Performance (2000)
- Book = 西方戲劇的香港演繹(2007)
- DVD = Laban dance works (1992)
- DVD = Space Improvisation and Creativity (2005)
- Journal = Blurring the Edges - comments on site specific work (2003)
- Journal = Formulary for a New Urbanism (1953)
- Journal = Mapping the Terrain (2002)
- Journal = Preliminary Problems in Constructing a Situation (1958)
- Journal = Superfluous Landscapes (2002)
- Journal = Theatre History and the Ideology of the Aesthetic (1989)
- Journal = Theory of the Dérive (1958)
- Journal = Video Projection (2004)
No comments:
Post a Comment